Independent Clauses | n. —unusual words about underappreciated music

February Singles: Garage Rock and Such

March 12, 2015

Garage Rock and Such

1. “Away” – Heart Beach. Heart Beach is out-Pixie-ing the Pixies with this churning slice of plodding bass, washed-out guitar and yearning vocals. A+.

2. “Cavity” – Kuzin. Sometimes the vocal hook that seals it is in the verse, and so it goes with the yearning killer line of this track. You’ll be humming this one for a while.

3. “Gone Past” – Lore City. A lot of people want to invoke shoegaze, but few bands really inhabit the idea of the sound overwhelming a person in their entirety the way that Lore City does here. Slow movement, pounding drums, howling vocals, synth sheen over everything: this is how you create a wall of sound in 2015.

4. “He’s Not Real and He Ain’t Coming Back” – Twin River. The synth-laden, reverb-heavy soundscapes on this track recall the slow motion of the band’s titular geographical features. Let it wash over you.

5. “Wasting Time” – The Phantoms. The alt-rock drama of Anberlin meets Blur influences in vocal delivery for this high-contrast track.

6. “Dotted Line” – Bombay Harambee. Guitar rock with demonstrative, impassioned front men will always have a home. This particular brand makes me think of a slowed-down Arctic Monkeys.

7. “Fourth Quarter Funeral” – Velcro Mary. The thick, bassy guitars in this power-pop song fill up the track, but they never make the song feel leaden. Instead, the track moves sprightly along on a Foo Fighters backline and a snarly vocal line that never explodes.

8. “Universe” – Faith Healer. Some perky garage-rock with a mumbly female lead vocal creates a very cool vibe.

9. “Actual Alien” – American Culture. Scuzzy guitars; gated ’80s drums; distorted, nasally vocals. Sounds like a great entry into American garage rock culture to me.

10. “Time For Us to Move” – Full Trunk. We really should thank the Black Keys for re-popularizing blues rock. There are few ways to vibe harder than on a good blues-rock riff, like the one here.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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