Sunday Lane’s cover of Bon Iver’s “Skinny Love” is a good place to start talking about Fauntella Crow‘s debut EP Lost Here. Piano-playing singer/songwriter Lane, half of Fauntella Crow, plays predominantly upbeat pop in her solo work. I first discovered her pensive, emotive side on that 2012 cover of Justin Vernon’s keening, beautiful tune. Lane’s voice fit perfectly in the mood, and I longed for her to do more with that combination. It’s like she heard my thoughtwaves, because Lost Here explores her melancholy side.
The title track of the EP makes a conscious effort to pilfer some sonic touches from For Emma, Forever Ago, and it works like a charm: the song steals the show, as Lane’s voice and Jessy Greene’s violin form a perfect pair to convey a familiar form of tragic beauty. There’s a difference in mood on “Lost Here” from the rest of the EP, which falls more in the ’90s singer/songwriter, Lilith Fair vibe. That’s not a bad thing at all–“Delicate” shines in its own right. But “Lost Here” channels the skills of both members into a tune that can stand up with the best indie ballads of the past ten years. That’s a hugely bold statement (“Maps“! “John Wayne Gacy, Jr.“! “For Emma“!), but I’m prepared to make it. The song is wonderful.
The rest of the EP is strong, composed of the aforementioned singer/songwriter vibes. “Grow” meshes Lane and Greene perfectly, as the piano, both vocals, plucked violin, and bowed violin come together for a wonderful first stanza. Opener “Delicate” deftly balances bitterness and vulnerability, both lyrically and vocally; it’s the most well-developed and mature of the offerings that aren’t “Lost Here.” The rest of the tunes fall somewhere between the poised pop of track 1 and the fragility of track 5; all very pretty, but not as immediately arresting as the twin pillars they support.
Lane is a strong songwriter who has found a perfect foil in Greene; the latter brings out the melancholy melodic gifts that I knew Lane had lying dormant. Lost Here is hopefully an opening salvo in a long career for Fauntella Crow–this is too excellent to languish as a one-off side-project. Even if these five tunes are all we get, I’ll be thankful for them, and you should be too.