Independent Clauses | n. —unusual words about underappreciated music

Fall, Slowly Mini-mix

August 23, 2012

I’ve got a bunch of singles to throw your way, so here’s a mini-mix. It kicks off on an upbeat note and then drops you right into the season with track two.

Fall, Slowly Mini-mix

1. “The Day” – The Tiny Elephants. Perspective knocks in the form of a jaunty pop tune.
2. “Believe” – World Tour. Maybe this is winter music? Definitely it’s chilled-out beauty.
3. “Wish” – Prints. Click-heavy beats, burbling synths and a night-on-the-highway electronic vibe make it feel all mid-’00s up in here.
4. “Caves” – Founds. Flowing instruments carry a swooning vocal line, and the whole thing grows into a pounding whirl before disappearing. Wow.
5. “How It Ends, How It Starts” – Big Dead. Dusky, jazzy, sultry beauty.
6. “How It Went Down” – Dark Dark Dark. I love that the title dovetails with the above track. More piano/patient cymbal instrumentation, but a woman on the jazzy vox here.
7. “Going” – Carl Hauck. Hauck’s voice is a warm blanket on a cold night, and his acoustic songwriting is that moment you put on a pair of shoes and immediately know you’ve always loved them.
8. “Not Knowing” – Clara Engel. The Jason Molina school of songwriting dictates ultra-slow tempos, sparse instrumentation, and an almost overwhelming gravitas. Engel is an A+ student with her incredibly moving songs.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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