If you didn’t hear about Backyard Tire Fire while they were alive, that’s pretty sad but I won’t blame you. My favorite song of theirs was called “The Daze,” which was a song about a band that seemed suspiciously like Backyard Tire Fire. Their brand of perky indie-pop-rock was a ton of fun. But all good things go solo, and now Edward David Anderson has released a solo album. Lies and Wishes is a folk album (because most solo albums these days are, I suppose), and it’s pretty great (because of course it would be).
My favorite BTF song was roughly autobiographical, so it’s fitting that my favorite EDA song off Lies & Wishes is also (probably?) autobiographical. “Son of a Plumber” abandons some of the folky, rolling acoustic strum in favor of a slightly toned-down version of the perky indie-pop that BTF was so good at. When Anderson yawps, “hey!” and lets an accordion solo take over, it sounds just perfect. It’s a song that seems like it always has been and always should be. Even if it doesn’t sound folk, isn’t that the definition of folk?
But the rest of the album holds a little tighter to the folk sound. The opener/title track has cascading fingerpicking reminiscent of early Iron & Wine, framing Anderson’s evocative, occasionally creaky tenor well. “I Missed You” has some downtrodden country strum and sway; “Taking It Out on You” adds some Dawes-esque guitar crunch. “Fires” is a conflicted love song that leans in towards romantic, adult alternative territory (which is not a complaint from this blogger). Closer “The Final Melody” is a perky fingerpicked number that recalls Justin Townes Earl, New Orleans blues, and a cheery chorus fitting of BTF. It’s a perfect mix of the old and new. (Check that whistling!)
If you’re not obsessed with purism in your folk and instead mostly see it as a lens from which to see a variety of melodies and lyrics, Edward David Anderson will charm your socks off. Lies and Wishes is a laidback, enjoyable set of folk/indie-pop tunes that takes itself realistically: not over-serious, but not undervaluing, either. Anderson knows what he’s about, and it shows here. Very enjoyable.