1. “Boys Will Be Boys” – Stella Donnelly. The spartan songwriting here gives a perfect contrast to Donnelly’s powerful vocals. The song itself is a knockout without even considering the lyrics; pairing the song with her harrowingly honest lyrics about rape creates a tour-de-force moment for Donnelly and what should be a deeply sobering reality check and call to action for all men (myself included).
2. “Maria También” – Khruangbin. This unclassifiable, incredibly cool instrumental track features elements of Middle Eastern music, some vaguely surf-rock overtones, and found sound celebrating the role of women in pre-1979 revolution. The band notes that the video continues the celebration of that time and place via the performances of “a large network of artists, singers, dancers and songwriters who have been either exiled or silenced since the revolution.”
3. “Seattle” – Strangers by Accident. SbA has expanded from an acoustic folk duo to a folk-rock four-piece on the EP this cut comes from; this track, fronted by female and male vocals, features punchy drums, a speedy tempo, and even a mini guitar solo. But the highlight moment of the track is a breakdown to two vocals and an acoustic guitar, just like the old days–they haven’t abandoned their roots. It’s a strong hello to a new sound.
4. “So Kind” – Kat Myers and the Buzzards. Fans of easygoing West Coast country and female vocals will have a blast with this track. The tune slowly grows from a small tune to a rip-roaring country-rock track led by alternately blazing/delicate electric guitar and Myers’ confident vocals.
5. “Sail on the Water” – Molly Parden. A silky, suave ’70s-inspired singer/songwriter track that calls to mind Fleetwood Mac and other purveyors of dreamy, mystical work.
6. “Dominika” – Jordan Klassen. Somewhere between the woodsy folk of Fleet Foxes and the pristine folk arrangements of Mutual Benefit lands this lightly funky, somewhat proggy (!) folk tune. The video is a magnificent slice of ’90s tribute/parody.
7. “Shadow” – John Hufford. Timely and timeless, this acoustic track incorporates historic vocal harmony styles, contemporary lead vocal melodies, and never-gets-old synth/xylophone combo to create a song not quite folk, not quite indie-pop, and totally impressive.
8. “Throw Ourselves In” – Marsicans. Marsicans’ run of fantastic is unprecedented in IC’s hallowed halls–I’ve now covered six straight Marsicans singles, and they’ve all been amazing. This one has some ’00s pop-punk yells thrown into their peppy indie-guitar-rock for good measure. Everything else (insanely catchy melodies, big guitars, impeccable song structure) is still there. If you haven’t jumped on the Marsicans train, you need to do it as soon as possible. Preferably yesterday.
9. “Moments” – Everywhere. Dance-rock is tough to assess–sometimes over-the-top is great (think The Killers) and sometimes understated is boss (think Cobra Starship). This smooth, sleek track passes the basic test (“do you want to dance”) and also passes the higher bar (“is there something beyond a big dance beat going on”) with flying colors via an M83/Capital Cities-esque atmosphere.
10. “Superhero” – Fuzzystar. Power-pop that’s mellowed somewhat by indie-pop vocal aesthetics–but there are some mathy/emo-esque guitar theatrics to kick it back up a notch. Overall, it’s a fun, engaging pop tune.