1. “Holy Moly” – The Forgotten Man. This super-charged indie-rock tune has the whoa-ohs of street punk, the thrashing drums of a rock band, and country touches in the vocals. Yet there remains an overall sense that this could have been a folk tune at one point, albeit in a slower tempo. It’s a blast to hear lead singer Wilson Getchell belt out, “HOOOO-lllly MOOOO-llllyyyyy” in the chorus.
2. “Spring” – The Shifts. Manages to bring together the “bum-bum-da-da-da”s of indie-pop, the melancholy arrangements of minor-key indie-rock and the fury of post-rock vocals together into one eclectic, electrifying, impressive whole.
3. “Bravo Sierra” – Glories. You don’t have to reinvent the wheel to make it work really well: here’s some Explosions in the Sky-style, controlled-chaos post-rock, complete with thrashing drums, soaring guitar leads, crunchy distortion, and memorable melodies you can hum along to.
4. “Sea Six” – Datura Daydream. This nearly-nine-minute journey starts off a post-rock piece, then transitions into a driving rock piece with classic-rock tones in the guitar; the murky, distant, heavily reverbed vocals add more texture. The bass then gets in on the action with a bass solo. Then it’s back to post-rock guitar screaming, followed up by some more rock, then some post-metal. Radness.
5. “Thunderbolts I Scatter” – The Angelus. The tag on the Angelus’ work is “Dark Hymnal Slowcore,” which sort of gets at the spirit of the thing, if not the sonics of it. The Angelus is equal parts post-rock (in stormy instrumental fury) and indie rock (via Emil Rapstine’s Nick Cave-esque, occasionally apocalyptic howl and some slightly dialed-back instrumentals in places). This particular track is a furious, ominous, thrashing instrumental that’s almost post-metal in its approach. Fans of Russian Circles will find much to love throughout the record, but especially here.
6. “Deep Blue Heart” – Solhund. This tightly arranged, carefully engineered instrumental track has “movie soundtrack” written all over it, from the pulsing synths/percussion mix to the dramatic string section.
7. “Obsessed” – The Co-Founder. Here’s a crunchy emo/indie-rock tune featuring complex instrumental interplay in the verses, leading into a chorus of churning drums and roiling guitars. Strong, emotive vocals layer on throughout.
8. “Cross” – AB7VN. The cascading strings, thrumming bass, and syncopated drumming make for one of an air of cool all throughout this instrumental piece. Could easily pass for the soundtrack to a really intense section of a dungeon-crawling RPG.
9. “Encore” – Roast Apple. Right when I’d given up on dance-oriented, Interpol-esque post-punk giving me a thrill, Roast Apple come along with tight melodies, slick production, and an attitude of cool. It might get harder to get the gold out of a well-tapped vein, but the best can still do it.
10. “Mexican Jackpot” – Flagship. A tight, focused, lightly-dancy indie-rock song with connections to Capital Cities’ and Cold War Kids’ sonic spaces.