Independent Clauses | n. —unusual words about underappreciated music

Bottle Up and Explode write the songs you always thought you knew

September 19, 2011

The Big Bang Theory is one of the best sitcoms on TV right now because it’s nothing but a sitcom. It has a laugh track, quirky characters, and pretty much one situation for the entirety of its existence. In this era of mockumentary sitcoms, dramedies, and other innovative comedy programming, the best comedy is one that doesn’t break any rules. It just does the old rules really, really well.

Bottle Up and Explode‘s Kingsley is the audio analogue of The Big Bang Theory. Bottle Up plays mid-tempo indie-rock that’s well-informed by ’90s pop and ’00s indie-pop melody structures. There are guitar solos (check it, “We Just Want a Party”), Strokes-ian jangle (“Summer in the South”) and tension-laden sparse sections that recall U2 and Bloc Party (“Breakfast”).

What it all adds up to is “Axiomatic,” which features an upbeat riff and perky drumming overlaid with a twinkly guitar line in the verses before blasting into a synth and “yeahiyeahiyeah!” chorus. It’s the sort of song that you swear you’ve heard before, but know you haven’t. It’s the sort of song that propels an EP to the front page of

But the songwriting isn’t the only feature that sets this apart. If a song is one part what you wrote and another how you played it, Bottle Up has both sides covered. The tunes here are pulled off with a swagger that sells it easily. Vocalist Chris Cargile has a voice that conveys emotion and enthusiasm without losing the sense of cool that is fundamental to his timbre and Bottle Up and Explode’s sound. Cargile doesn’t sound disaffected, he sounds measured — excited when it’s exciting, chill when it’s chill. Yes, like the name.

The six-song, seven-track Kingsley (“Axiomatic” gets an acoustic version) is a blast to hear. Bottle Up and Explode is in firm control of its sound, and that allows them to do thingswith it instead of be at its mercy. Summer may be ending, but parties don’t, and I can hear “Axiomatic” at your next (and next and next) shindig. Jump on this.

Stephen Carradini and Lisa Whealy write reviews of instrumental, folk, and singer/songwriter music. We write about those trying to make the next step in their careers and established artists.

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