Independent Clauses | n. —unusual words about underappreciated music

B. Snipes establishes himself as a talent to watch

May 29, 2015

bsnipes

I review a lot of really good folk music here at Independent Clauses, but every now and then someone comes along who sits head and shoulders above the rest of the pack. B. Snipes is that rare breed, and the 5-song Away, Away is his calling card. From compelling lyrics to evocative melodies to clear-eyed production, there’s nothing on Away, Away that is out of place.

Some people try to establish a sound in an EP; others try to showcase their breadth. Snipes manages to do both here: while establishing himself as a storytelling troubadour through his lyrics and nuanced vocal delivery, he sets a surprising array of sounds around him in the arrangements. It’s a remarkable balancing act that establishes him as a high-talent artist to watch.

The cleverest trick Snipes pulls to accomplish this balance is to vary what you might expect in a track listing. Instead of starting with his loudest track and getting quieter, Snipes starts out with the intimate, stark, beautiful “Death Came Knocking.” The first half of the track features just a Snipes’ gravitas-laden voice, a bright acoustic guitar, and an upright piano to lend some bass to the proceedings; even when he adds in a banjo to fill out the sound, it still feels like you’re hanging out in Snipes’ living room. The tune itself tells of Death showing the narrator around town, talking about both the narrator and death’s lives. The chorus yearns for a beloved maternal memory–it’s uncertain whether the narrator or death sings the chorus. It’s this sort of subtle touch that gives Snipes’ work the depth that endears it to me.

Elsewhere Snipes shows off his arranging skills, including an open snare on the kit and wailing organ in the dramatic folk tune “Michael.” “Clark Gable Blues” has a 3/4 meter, giving the tune a plaintive, mournful, country waltz/blues feel. The lyrics of lost love and a swooning violin only help the country vibe. The title track and “My Home Town” have a more alt-pop feel, leaning toward Josh Garrels’ brand of twilit, sweeping adult-alternative. At its apex, “My Home Town” gathers steam into the sort of jubilant/morose chorus that Iron & Wine has perfected on his full-band records–the vocal melody seals the deal on it.

All of this is recorded and engineered excellently: the sounds pop out of speakers with astonishing clarity and ease. It’s not easy to engineer a record this bright, clean and clear without it getting a false-feeling sheen on it. B. Snipes and crew have really nailed the balance between clarity and emotive grit. It’s like a Ray LaMontagne album in that regard: it feels raw and passionate without actually sounding lo-fi. It’s a rare thing, and worth noting. Everything sounds gorgeous on Away, Away.

B. Snipes’ debut EP Away, Away is a remarkable release that shows off the beginnings of what could be something really amazing. With thoughtful lyrics, memorable melodies, and striking arrangements, B. Snipes establishes himself here. If you’re into Josh Ritter, The Avett Brothers, or any of the aforementioned bands, you’ll find much to love in Away, Away.

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Comments: (1)

On January 4, 2016 Independent Clauses Best EPs of 2015 wrote...

[…] Away, Away – B. Snipes. (Review) Another excellent debut that introduces Snipes’ low-slung troubadour singer/songwriter voice […]

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Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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