Independent Clauses | n. —unusual words about underappreciated music

Alek Fin’s mesmerizing Án Mynda

December 14, 2015

anmynda

Alek Fin’s latest EP, Án Mynda, is like a mesmerizing love-at-first-sight experience between Bon Iver and an electronic empress. The five tracks are equidistant between earth and atmosphere. Woodsy vocals and instrumentation that gives just enough–nothing more and nothing less–root this EP in natural, earthy undertones, while a gust of electronica lifts it off the ground.

The title track contains a jolting, animated back-and-forth chorus that resembles the sound of quickened monk chants; it is both comforting and confident in its softness. Deep reverberation eventually slips in and guides the track up a winding road of transcendental sound.

“Lift Up” is a dim dance party in slow-mo and the eventual warm, appreciated crash into your bed at the end of the night, all in four minutes and forty-four seconds. “Insight” boasts even more hauntingly beautiful vocals that hollow out, gain depth and hollow out again, like a stream of consciousness rather than lyrics.

“Golden, Blinding (Feat. Galun)” is flat-out sexy, painting an abstract picture of lovers in landscapes, with lyrics like, “I see you on the water/You gravitate to me.” It erupts into a tunneling of sound that reminds those slanting, heavenly cylinder-shaped crepuscular rays that burst through the grayness after rain. “Golden, Blinding” is like a droid gliding over land, getting a whole aerial view of the world.

Alek Fin ends Án Mynda with a track that achieves “lullaby” better than any nursery story I’ve ever heard. “Eyes Open Shut” is a sensually simple song, ruffled by big, buttery, cumulus cloud vocals and soft, jumping percussion that give this track a heart and a heartbeat.

Alek Fin has thought of the whole picture here: the script, how to shoot each scene, the healthy weight of each song. He is a meditative artist, and Án Mynda is the furthest piece of music from ersatz electronic; it’s a successful, authentic experiment of sound.–Rachel Haney

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Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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