Independent Clauses | n. —unusual words about underappreciated music

A Road to Damascus' pop-punk is highly enjoyable

April 19, 2010

Even though it’s been raining for the last few days, summer is indeed coming. And that means it’s time for summer music. It’s just hard to rock the Bon Iver with the sun shining and the windows down. Then again, I wouldn’t really consider Last Tuesday, Relient K or The Bee Team during the doldrums of December. Everything in its right place.

A Road to DamascusSo Damn Close EP is an excellent slice of summer music. Pop-punk with enough pop to roll the windows down but enough punk to keep the energy high, the three tracks here sport a sheen that could be construed as annoying if you weren’t taking it at face value. Don’t try to read anything in to these songs; they’re not made for it.

But that doesn’t mean that they aren’t great tunes. The vocal melodies of “So Damn Close” are bright without being sugar-coated, perfect for singing along. The darker mood of “Sweetheart” evokes AFI in all the right ways, from the dour but catchy chorus to the breakdown in the bridge to the minor but not dissonant guitarwork. Equally as catchy as the first track, but in different ways. That’s what I want out of a band.

“Sang 3” yanks Yellowcard’s rhythmic and melodic shtick, but it does it with so much enthusiasm and candor that it’s entirely forgivable. While not the best track here, it’s certainly enjoyable and interesting. It features the only moment on this EP to give me shivers, at 2:40. I won’t ruin it for you.

A Road to Damascus’ So Damn Close EP is loads of fun. The tracks are fun to listen to, beg to be sung along with, and would almost certainly inspire fist-pumping at a concert. There’s not much more that I want out of a pop-punk band, and I don’t think that’s much more than the band wants to be. Highly recommended.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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