Independent Clauses | n. —unusual words about underappreciated music

A compilation of serious songwriting reveals some new bands to watch

June 30, 2012

I love compilation albums, SXSW, live recordings and serious music. So it’s no surprise that I would love New Media RecordingsSelections from NMR Live! Showcase SXSW, which combines all of the aforementioned. NMR is a recording studio and production facility in Fort Worth, Texas, and it shows: this live recording is impressively captured and preserved. So those who hate live recordings for the bad sound quality, fear not.

On to the music: NMR has given us 25 songs from 8 bands spread over an hour and a half. It’s not one-sitting listening. However, it is a good introduction to these artists, as each gets more than the usual single shot to tell their story. Spooky Folk opens the comp with “Polaroid,” which is one of the loudest tunes on the album (and subsequently one of the most difficult to mix – so take my previous note on “impressively captured” with a grain of salt on this track) by easily the loudest of the bands featured. “Polaroid” has an Arcade Fire-esque grandeur, as charging guitars and pounding drums are met with soaring vocals and swooping strings. It’s a great song to kick off the album with, as it sets a high bar for quality.

Most of the other bands meet the challenge. The bulk of the music on the comp is of the serious singer/songwriter type: a Damien Jurado song is fittingly covered, and I thought several times of stately anguish of Songs:Ohia throughout. Jeremy Buller, who played the aformentioned “Oh Death Art With Me” cover, plays especially powerfully on these recordings: The intimate “A Gift and Growing It” creates a gripping mood and expounds on it for six minutes. His “Untitled” is even more sparse, but no less riveting in its mood.

You may remember that I love everything about The Angelus. They contribute stripped-down versions of their dark, foreboding tunes; instead of acoustic guitar only, it’s electric guitar and voice. It fits incredibly well for the Angelus’ tunes while showing a whole new side of the tunes.

Don and Curtis of The Theater Fire, The Migrant, and Clint Niosi contribute more upbeat, often-major-key tunes, but these are by no means throwaway pop songs. The Theater Fire members created a storytellers’ mood to spin tales about life from Cain’s perspective, the thought processes of a rebellious rambler, and a Magnetic Fields cover (“All My Little Words”). The Migrant’s tunes are imported with weight through the vocal performances and lyrics more so than the acoustic guitar work–another line drawn to Jurado. Clint Niosi’s clear vocals and precise picking (“Wild West”) nearest appropriated what we consider folk these days.

The electronic music wild a capella music of Dreamboat Crusaderz and the ominous constructions of Weird Weeds didn’t catch my ear, but six out of eight on a comp is a high success rate. The creators of Selections from NMR Live! Showcase SXSW have a well-tuned ear, and this release is very worth your time if you’re into the genre.

Stephen Carradini and friends write reviews of bands that are trying to make the next step in their careers.

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