Surreality and absurdity have specific meanings to me. Surreal is the type of weird that’s just left of normal; you can feel that it might be normal, but something is just off. It’s the creepy weird, the weird that everyone accepts as normal except you–and you don’t know why. Absurdity is when completely nonsensical things happen all at once and everyone realizes it’s bizarre. Creating absurdity is much easier than creating surreality. The Landing’s video for “We Are” is surreal, in the best way.
Springtime Carnivore’s video for “Name on a Matchbook” is the funniest video I’ve seen all year. Subverting gender stereotypes and tropes? Re-envisioning Springtime Carnivore as a girl-band Beatles? Be still, my fluttering heart.
Quiet Stories’ “When I Come Down” is not necessarily quiet in volume, but the story he tells in this video definitely is a quiet little tale.
Sometimes it’s a single image that gets me in a video. In Bobby Bare Jr.’s “North of Alabama By Morning,” it’s a two-second clip (0:37-38) of the keyboardist grooving so hard. Total dedication to the sound, right there. Also, this song rules.
I watched the whole 5:16 of Sharon Van Etten’s “Your Love is Killing Me” clip because I wanted to know what was happening. Let’s just call the end a baffling one. Van Etten is a towering presence on this track, so if you’re into huge, emotional songs, you can stay for that as well.
1. “Cassius” – The Maytags. You want some fun, dance-around your kitchen vibes? The Maytags have perky horns, upbeat rhythm section, group vocals, and a totally infectious mood. My fiance likes it, and she likes good music. Jump on it, people.
2. “In a Desert of Plenty” – Sunmonks. Motown horns, distant vocals, funky vibes, and engimatic/intriguing rhythmic elements make this track a keeper.
3. “The Snowfalls” – Whyte Horses. Gentle psychedelia meets ’70s folk with some ’50s girl pop vibes in the vocals: it’s a really inviting overall effect.
4. “Center of the Universe” – Chris Staples. Remember that hyper-personal acoustic indie-pop movement from the early to mis ’00s? Some called it quiet is the new loud, but I called it deeply engaging, personal work with a priority on intimate recording styles. This Built to Spill cover nails all the right notes.
5. “i don’t need an advocate, i need an exorcist” – moyamoya. If Appleseed Cast’s wide-open, cinematographic motion from Mare Vitalis made into to the minor keys of Peregrine, we’d have this track. Tons of great guitar work throughout, beautiful production job.
6. “A Sunday Afternoon Epilepsy” – More than Skies. MTS continues their very intriguing campaign to mix lush, autumnal folk landscapes with angular, punk-inspired guitars and creaky vocals. I’m a fan.
7. “Ghostlight” – Alex Tiuniaev. Here’s a cinematic, pensive, romantic instrumental piece led by piano and strings.
8. “Opus No. 21” – The Greatest Hoax. Ambient classical? Dreamy no-guitars post-rock? Wistful dreamweave pop? Whatever this is, it’s pretty, moving, and sets a scene well.